laohu
08-10-2013, 04:26 AM
Solaris - Eduard Artemiev (1972/1978, FLAC) [24-192, LP Rip]
(http://imageshack.us/photo/my-images/692/y59m.jpg/)
Tracklist:
A1. Main Title (2:45)
A2. Home (4:22)
A3. Journey to Solaris (5:28)
A4. The Guests (2:40)
A5. Solarian Sea (Part One) (3:30)
B1. Solarian Sea (Part Two) (2:00)
B2. Theme from Solaris (2:35)
B3. Library Sequence (2:25)
B4. Hari's Theme (1:45)
B5. Experiment (5:00)
B6. Dream (2:58)
B7. End Title (4:22)
https://mega.co.nz/#!0QM3WJ5Q!KUUFgETSNAjfDdrzZsp2oQ6GfqRTr_vXyxSqPgQ glw8
---------- Post added at 04:26 AM ---------- Previous post was at 04:25 AM ----------
It's only appropriate that Solaris, Russian filmmaker Andrei Tarkovsky's psychological sci-fi classic from 1972, contains an equally original and mind-bending score. Solaris explores the inadequacies of time and memory on an enigmatic planet below a derelict space station. To reinforce the film's chilling setting, Tarkovsky commissioned composer EDUARD ARTEMIEV to construct an electronic soundscape reflecting planet Solaris' amorphous and mysterious surface; ARTEMIEV rose to the challenge with a prophetic work that defies the era's technological limitations while evoking unparalleled emotional responses even today.
ARTEMIEV's score – centered around variations on Bach's "Chorale Prelude in F-Minor," a somber piece for solo organ – sounds majestic alongside dissonant crescendos and formless, ambient tracks.
Solaris (Russian: �Солярис�, tr. Solyaris) is a 1972 Russian science fiction art film adaptation of the novel "Solaris" (1961), directed by Andrei Tarkovsky. The film is a meditative psychological drama occurring mostly aboard a space station orbiting the fictional planet Solaris. The scientific mission has stalled out because the meager skeleton crew of three scientists have fallen into separate emotional crises. Psychologist Kris Kelvin travels to the Solaris space station to evaluate the situation only to encounter the same mysterious phenomenon as the others.
The original science fiction novel by Polish author Stanisław Lem is about the ultimate inadequacy of communication between humans and other species. Tarkovsky's adaptation is a “drama of grief and partial recovery” concentrated upon the thoughts and the consciences of the cosmonaut scientists studying Solaris' mysterious ocean. The psychologically complex and slow-paced narrative of Solaris has been contrasted to hyperkinetic European and North American science fiction films which typically rely upon fast narrative pacing and elaborate special effects to communicate character psychology and an imagined future. The ideas which Tarkovsky tried to express in this film are further developed in Stalker (1979).
The critically successful Solaris features Natalya Bondarchuk (Hari), Donatas Banionis (Kris Kelvin), J�ri J�rvet (Dr Snaut), Vladislav Dvorzhetsky (Henri Berton), Nikolai Grinko (Kris Kelvin’s Father), Olga Barnet (Kris Kelvin’s Mother), Anatoli Solonitsyn (Dr Sartorius), and Sos Sargsyan (Dr Gibarian); the music is by Johann Sebastian Bach and Eduard Artemyev. At the 1972 Cannes Film Festival, it won the Grand Prix Sp�cial du Jury, the FIPRESCI prize and was nominated for the Palme d'Or. The film is often cited as one of the greatest science fiction films in the history of cinematography.
(http://imageshack.us/photo/my-images/692/y59m.jpg/)
Tracklist:
A1. Main Title (2:45)
A2. Home (4:22)
A3. Journey to Solaris (5:28)
A4. The Guests (2:40)
A5. Solarian Sea (Part One) (3:30)
B1. Solarian Sea (Part Two) (2:00)
B2. Theme from Solaris (2:35)
B3. Library Sequence (2:25)
B4. Hari's Theme (1:45)
B5. Experiment (5:00)
B6. Dream (2:58)
B7. End Title (4:22)
https://mega.co.nz/#!0QM3WJ5Q!KUUFgETSNAjfDdrzZsp2oQ6GfqRTr_vXyxSqPgQ glw8
---------- Post added at 04:26 AM ---------- Previous post was at 04:25 AM ----------
It's only appropriate that Solaris, Russian filmmaker Andrei Tarkovsky's psychological sci-fi classic from 1972, contains an equally original and mind-bending score. Solaris explores the inadequacies of time and memory on an enigmatic planet below a derelict space station. To reinforce the film's chilling setting, Tarkovsky commissioned composer EDUARD ARTEMIEV to construct an electronic soundscape reflecting planet Solaris' amorphous and mysterious surface; ARTEMIEV rose to the challenge with a prophetic work that defies the era's technological limitations while evoking unparalleled emotional responses even today.
ARTEMIEV's score – centered around variations on Bach's "Chorale Prelude in F-Minor," a somber piece for solo organ – sounds majestic alongside dissonant crescendos and formless, ambient tracks.
Solaris (Russian: �Солярис�, tr. Solyaris) is a 1972 Russian science fiction art film adaptation of the novel "Solaris" (1961), directed by Andrei Tarkovsky. The film is a meditative psychological drama occurring mostly aboard a space station orbiting the fictional planet Solaris. The scientific mission has stalled out because the meager skeleton crew of three scientists have fallen into separate emotional crises. Psychologist Kris Kelvin travels to the Solaris space station to evaluate the situation only to encounter the same mysterious phenomenon as the others.
The original science fiction novel by Polish author Stanisław Lem is about the ultimate inadequacy of communication between humans and other species. Tarkovsky's adaptation is a “drama of grief and partial recovery” concentrated upon the thoughts and the consciences of the cosmonaut scientists studying Solaris' mysterious ocean. The psychologically complex and slow-paced narrative of Solaris has been contrasted to hyperkinetic European and North American science fiction films which typically rely upon fast narrative pacing and elaborate special effects to communicate character psychology and an imagined future. The ideas which Tarkovsky tried to express in this film are further developed in Stalker (1979).
The critically successful Solaris features Natalya Bondarchuk (Hari), Donatas Banionis (Kris Kelvin), J�ri J�rvet (Dr Snaut), Vladislav Dvorzhetsky (Henri Berton), Nikolai Grinko (Kris Kelvin’s Father), Olga Barnet (Kris Kelvin’s Mother), Anatoli Solonitsyn (Dr Sartorius), and Sos Sargsyan (Dr Gibarian); the music is by Johann Sebastian Bach and Eduard Artemyev. At the 1972 Cannes Film Festival, it won the Grand Prix Sp�cial du Jury, the FIPRESCI prize and was nominated for the Palme d'Or. The film is often cited as one of the greatest science fiction films in the history of cinematography.